Welcome. Are you interested in reading about art restoration, broken bones, international pandemic love, big transitions, financial hardship, severe burnout, radical spirituality + rebellion, and tattoo culture? If so, you’re in the right place.
Kimberly Sheridan’s a nonfiction writer. Her work appears in Entropy, The Big Smoke, Monologging, The Midst, River Styx, and in the University of Hell’s essay collection, 2020* The Year of the Asterisk. She wrote a column Tattoo Ink for The Big Smoke USA and has interviewed authors for Abandon Journal. Kimberly’s Substack, Double Game, explores the intersection of art and life. She holds an MFA in creative nonfiction from Eastern Washington University and served as the managing editor of Willow Springs, an award-winning literary journal. Kimberly was a panelist for an event about pandemic writing at Spokane’s 2022 Get Lit! festival.
Born a Jersey girl, and after many years in New York City, Los Angeles, and Spokane, Kimberly relocated to Wellington, Aotearoa New Zealand in 2022. Her many other lives include an Illustration degree from the School of Visual Arts and careers as a Jeff Koons sculpture technician, tattoo shopgirl, fashion illustrator, interior painter, restaurant manager, and personal trainer. She’s currently a fascial stretch therapist and freelance writer and editor.
You’ll most likely find her binging interior design shows, painting or wallpapering or embroidering something, neck-deep in research, stretching, or making another decaf mocha.
